more from Pieter Botha

I haven't read Pieter Botha before. I've done quite a bit of reading in oral traditional research and the gospels (including the gospel of Mark), so I've run into Botha's work on numerous occasions. But I've never read him before. So his essay, "'Publishing' a Gospel: Notes on Historical Constraints to Gospel Criticism" (see this post), has come as a very nice surprise. Here's yet another quote worth working through:

Incidentally, these practices remind us forcibly of the fluidity of all manuscript traditions in antiquity. What we would call an edition simply did not exist in antiquity; ἔκδοσις (usually translated with "publish") merely indicated the stage at which the author let a version out of his own hands. Copying was basically ad hoc, determined by innumerable factors and completely outside any formal control. It is impossible to speak of fixed traditions. . . . When we think about books in Greco-Roman antiquity, we should accept that single, final autographs probably never existed. In reality many participated and contributed to textual traditions endlessly in flux. (347; original emphases)

The phrase, "endlessly in flux," seems a bit exaggerated to me. But the point that writing a text did not fix the tradition is well taken. Too often, NT scholars talk about writing as the point at which a variable oral tradition becomes fixed; oral traditional scholars (both inside and outside biblical scholarship) have known for quite some time that written texts are only as stable as the cultural practices that facilitate their use.

texts in context

A common refrain among scholars and people who want to appear scholarly is, "Context is king" (or some something similar). So when we read, for instance, the story of Mary and Martha entertaining Jesus in Luke 10, it should matter to us that Luke has included this story immediately after his account of the Parable of the Good Samaritan. That is, the Good Samaritan is a vital part of the context of the story of Mary and Martha.

Many examples of how "Context is king," including the one just given, concern the history of ideas. If you want to understand, for example, the various conceptions of "the messiah" in the New Testament documents, then you need to know something of how the idea, messiah, functioned in the world in which the NT was written. So the Dead Sea Scrolls, Josephus, pseudepigraphical texts (esp. 1 Enoch and 4 Baruch), and other texts come into play.

But context isn't simply about ideas. The historical figures who interest us—Paul, Peter, Herod, and even (or especially) Jesus—lived in real time and real space, handled real objects, engaged in real social interactions with other real people, and so on. And the realness, or the materiality, of the world these people lived in can have important consequences for our own efforts to understand ancient texts and reconstruction historical scenarios.

So I especially enjoyed the following paragraph, from Pieter J. J. Botha's essay, "'Publishing' a Gospel: Notes on Historical Constraints to Gospel Criticism" (pp. 335–52 in The Interface of Orality and Writing: Speaking, Seeing, Writing in the Shaping of New Genres [A. Weissenrieder and R. Coote, eds.; WUNT 260; Tübingen: Mohr Siebeck, 2010]):

Readers, audiences and authors are products of particular historical conditions. By studying the formats of books and their typographical disposition(s) we can learn how they were created, how they were read, and undersatnd something about their possible meanings. In writing and reading materials, technology and human activity interact, and these various specifics must be taken into account when written artifacts are to be understood. Historical investigation requires that textual criticism, the historical study of books and cultural history be interrelated to describe "the variations that differentiate the 'readable space' (the texts in their material and discursive forms) and those which govern the circumstances of the 'actualization' (the readings seen as concrete practices and interpretive procedures)." (336, citing R. Chartier, "Laborers and Voyagers: From the Text to the Reader," Diacritics 22 [1992]: 50)

gospels as messengers

I'm reading an essay by Kristina Dronsch and Annette Weissenrieder, entitled, "A Theory for the Message for New Testament Writings or Communicating the Words of Jesus: From Angelos to Euangelion" (The Interface of Orality and Writing: Speaking, Seeing, Writing in the Shaping of New Genres [A. Weissenrieder and R. Coote, eds.; WUNT 260; Tübingen: Mohr Siebeck, 2010], 205–35). The argument is highly technical and dense, and the authors' specific proposal is not very clearly communicated. But they do engage the media dynamics of early Christian traditioning processes in a sophisticated and nuanced way.

Their argument, in a nutshell, is that the written texts comprising the New Testament—and specifically the gospels of Mark, Luke, and John—bridge the distance between the absent Jesus and the present audiences of the texts. The evangelists, or actually the gospel texts themselves, serve as messengers (Boten) mediating the message and making present the message's sender to the message's recipients. You can find one particularly useful statement of their thesis on p. 222: "[M]essengers are not only a link in an information chain, they also have to be understood as a medium of communication. Messengers do not just bear messages; they are also media of transmission."

All that simply to introduce the following quotation, found in the authors' introductory comments to their discussion of Luke's gospel as postal communication:

The messenger plays an important role behind the transference of information. That is, the reliability of the messenger has a prominent role in successful communication. . . . The qualities demanded here like dependability and credibility were transferred to the messenger to fulfill the purposes of the absent transmitter; nevertheless, this is to be understood not in a sense of fidelity to the letter of the message, but the fidelity to the sense intended by the sender. It is not about preserving, but about passing on directly. Therefore, the protection of the message aims as Horst Wenzel has explained, not at the authentic preservation of the message, but at the dependability of the messenger. (228, citing H. Wenzel, Hören und Sehen. Shrift und Bild. Kultur und Gedächtnis im Mittelalter [Munich: Beck, 1995], 262; my emphases)

source criticism and text production in antiquity

I'm still working through David Rhoads's essay, "Performance Events in Early Christianity," and Rhoads has just made an excellent point. He says, "The early Chrisitian communities had no un-embodied experience of the stories [in the gospels] and the [New Testament] letters" (178). In light of the massive amount of research in the last twenty-plus years on reading in antiquity, I think this point is fairly safe, even perhaps axiomatic. That is, in the early church no one (or nearly no one, so nearly that the difference is negligible) engaged a NT text alone, in a "quiet time" sort of atmosphere without others around. Reading, it seems, was a communal activity.

If so, then I have a simple question, and I hope someone out there can honestly engage it. Has anyone ever attempted to explain, on the strength of any particular source-critical theory, an evangelist's act of writing in culturally informed ways? In other words, if (say) Luke sat down with Mark and Matthew before him (à la the Farrer hypothesis), what cultural scripts informed his act of composing the gospel as he read from his two (and others?) sources? Was Luke, on this model, engaging a disembodied tradition? And if not, then how did the mechanics of his text-production actually work?

on imagining new worlds

I'm currently reading Richard Horsley's essay, "The Gospel of Mark in the Interface of Orality and Writing," in The Interface of Orality and Writing: Speaking, Seeing, Writing in the Shaping of New Genres (A. Weissenrieder and R. Coote, eds.; WUNT 260; Tübingen: Mohr Siebeck, 2010). If you're familiar with Horsley's other works then you'll already know what to expect from this essay: a critique of certain culturally inappropriate models sustaining biblical scholarship and a striking reliance on certain key binary oppositions (Judean vs. Galilean, élite vs. ordinary people, etc.).

Despite the need to improve on and further Horsley's work, he nevertheless does provide a helpful opportunity to think more largely about biblical studies and the concrete social functioning of the texts we analyze. This has always been one of the key strengths of Horsley's scholarship. So I thought I'd reproduce this helpful quote on the need for us to get past ourselves and appreciate Mark's gospel as, perhaps, a single performance of the Jesus tradition rather than a collection of previously independent short stories (novella, according to Dibelius).

What remains difficult even for those who recognize Mark as a sustained story, I think, and perhaps also for those of us who also recognize the interface of orality and writing, is to imagine the formation, the composition, of the whole (Gospel) story. Perhaps because we are so habituated to composition in/as writing we have particular difficulty imagining how a text of the length and complexity of Mark could have been composed other than in writing—even though many epics that are orally performed (and composed) are much longer and more complex in plotting than Mark and the other Gospels. (157)

Of course, worlds of difference separate Mark and the other gospels from the epics I think Horsley has in mind (Homer, Moslem Yugoslavian epics, etc.). But that's not the point Horsley's making. He's reminding us that Mark's story—impressive and complicated as it is—isn't really so impressive and complicated that it had to be composed by an author in possession of himself, deliberate and laboriously working at a table or desk, free of the distractions of the wide world around him.

Instead, Mark certainly could have been (I think probably would have been) the kind of story Jesus' followers told as they gathered together to learn, to worship, to fellowship, and to pray. Certainly at some point someone (let's call him Mark) wrote the story down—though strangely Horsley would disagree. But that doesn't mean that Mark's written gospel was the first time the story ("the whole [Gospel] story") was apprehended in a single social engagement by women and men devoted to Jesus. In fact, given that the first mention of Mark's gospel doesn't occur until early in the second century CE (Papias), I suspect no one thought what Mark had done to Jesus' story was particularly groundbreaking or innovative (pace Kelber). Mark's gospel provided another in a very large number of possible performances of the Jesus story, and before long Matthew and Luke (and even John) would show that Mark's story, indeed, wasn't even that long!

Gambl[ing] again, a story of relapse

I've returned to Harry Gamble's Books and Readers in the Early Church: A History of Early Christian Texts (New Haven and London: Yale University Press, 1995). But it's okay. I can stop whenever I want to.

The first part of Gamble's fifth and final chapter, "The Uses of Early Christian Books" (203–41), begins with a discussion of the form and function of written texts in early Christian liturgical practice. (Recall that Gamble spent considerable time discussing the form of early Christian texts—as codices [i.e., books]—in a previous chapter, where he postulated the Pauline epistolary collection as the formative influence over the early Christians' preference for the codex over the scroll; see my comments here.) The opening sentence deserves citing here:

Books are written to be read, but they are read for many purposes and in many contexts, and the act of reading varies accordingly. (203)

I have argued elsewhere that what it means to read is, for us, so self-evident that we assume we know what we're looking at when we find people doing it in ancient texts. When Jesus stands up ἀναγνῶναι ("to read") the Isaiah scroll in Luke 4, he must be doing the same thing I do when I read Isaiah 61, right? Of course, he's physically handling a scroll rather than a book; but still, his eyes and his brain are doing the things my eyes and brain are doing, right? Of course, the problem here is that what Luke reports that Jesus read doesn't exist on a page anywhere, until, that is, Luke writes it. If Luke can emphasize the image of Jesus reading the way he does in 4.16–21 and still report a nonexistent text, and all this without any sense whatsoever that anything is amiss, perhaps to read doesn't mean what we think it means. I know, I know: Inconceivable!


Gamble goes on to provide a marvelous explanation of the act of reading in antiquity. He makes a lot of the difficulty presented by scriptio continua ("continuous script"), though I think we need to recognize that no one in antiquity complained of the lack of spaces between words (at least, not as far as I am aware; Gamble certainly doesn't provide an instance of such a complaint). Even so, reading the "relentless march of characters across the lines and down the columns" (203) involved the voice and the ears in a way that "reading" in the modern sense doesn't, as ancient readers "organized [written syllables] as much by hearing as by sight into a pattern of meaning" (204). This aspect of "reading" in antiquity results in a more broadly social dynamic of texts, a social dynamic that vitiates, somewhat, the modern dismay at the shockingly low levels of literacy that scholars have estimated for antiquity since, at least, Harris's landmark study, Ancient Literacy: "the illiterate were as capable as the literate of hearing books read. Thus the absence of literacy had limited consequences in the context of public reading" (205; remember Gamble's phrase, participation in literacy, which I discussed here).

Gamble turns to the function of written texts in the early synagogues as an entrée into the function of texts in the early churches. The relation between Palestinian synagogal practices and the practices of synagogues in the Greek Diaspora is unclear.

It is less clear whether strictly Gentile Christian communities of the first century, though they were often spawned from hellenistic-Jewish missions, adopted synagogue usages. For these reasons it cannot be uncritically assumed that scripture reading belonged from the outset to specifically Christian worship or, if it did, that it played the same role that it did in the synagogue. (212)

Gamble may be right, but we need to remember that we're talking about specifically liturgical (i.e., as part of the worship service) uses of texts. The point is less debatable that the early Christians, like their Jewish neighbors, were from the start oriented toward textual traditions irrespective of whether and/or how written texts functioned as part of their worship. Behind a number of our earliest evidences (Paul [1 Corinthians], Matthew, Acts) are specifically and emphatically textual sources of tradition, even if those sources functioned symbolically more than textually. Paul is emphatic that Jesus' death, burial, and resurrection happened "according to the scriptures," even though he doesn't bother to clarify which, specifically, he has in mind. Matthew famously links to written biblical tradition in his account of Jesus, even to the point of explaining Jesus' return to erets Israel in terms of Hosea (11.1). Acts, too, appeals to written authorities in the disciples' actions in chapter 1, in the first presentation of the gospel in chapter 2, in Paul's denunciation of the Roman Jews in chapter 28, and at nearly every point in between. Whatever the early Christians did in their worship services, they were oriented to their world, at least in part, by means of written texts.

I'm also a little skeptical of an important assumption about written texts that Gamble accepts (uncritically, I might say); in an off-handed comment he says, "the text was fixed" (227). In light of the amazing textual fluidity we find within and between manuscripts, I'm not sure how we can say this. I assume he means that once a manuscript was written, that manuscript was no longer subject to change. This is close to true, though we are awash with ancient manuscripts that have been "corrected" (or simply emended) by later hands, sometimes by multiple later hands. Writing a manuscript was not the same as inscribing a stone tablet or stele. But Luke's citation of Isa. 61 in Luke 4, Mark's reference to "Isaiah" in Mark 1.2–3, James' enigmatic reference to "the scripture" in 4.5, and a host of other examples serve to suggest that if "the [written] text," ἡ γραφή with all its theological freight, "was fixed," its fixity looked and functioned rather differently than the stability of our own printed texts.

Gamble makes another interesting point, especially in the face of the claim made recently by a number of scholars (e.g., Richard Horsley) that written texts were prohibitively expensive. In his explication of "the private use of Christian books" (231–37), Gamble argues that Christian texts were rather widely available to anyone who wanted them and that Christian preachers often expected their hearers to have access to make use of written texts. Indeed, the problem for these preachers was often that not enough of their hearers did so! "Apparently the problem was not that Christian books were especially difficult or expensive to procure for private use, but that few troubled to obtain them, and fewer still to read them" (233). This doesn't suggest that Christians were broadly or usually literate; Origen, for example, "certainly does not assume the literacy of all Christians, but he does presuppose the availability of texts to those who could read" (232). The material costs of written texts, apparently, were not nearly as high a hurdle as the educational costs. Gamble concludes,

It seems clear that literate Christians were able to obtain Christian texts for private reading. Because the matter of their cost almost never comes up, expense does not appear to have been an obstacle. Some cost was involved, no doubt, but it was not prohibitive for most. (237)

Finally, Gamble raises the question of "the magical use of Christian books" (237–41), which provides perhaps the most striking difference between ancient and modern uses of written texts. Gamble rightly rejects the idea that only the common, vulgar populace used texts "magically"; Origen, John Chrysostom, and Augustine all attest such uses. The issue is interesting, and Gamble's discussion of it is helpful if only too brief.

Overall, this is a great book that deserves its near-classic status. For those of you interested in media criticism, literacy, the form and/or function of written texts in Christian antiquity, or a host of related questions, I highly recommend Gamble's book.

a fortuitous find

I have assigned a selection of readings from Plutarch's Moralia (the Quaestiones romanae et graecae) and from Seneca's Epistles (the Epistulae morales) in my graduate course, World of the New Testament. I'm interested in both Plutarch and Seneca as presentations of features of the Greco-Roman world from elite, pagan perspectives. Plutarch explicitly is trying to explain features of Latin culture to his Greek readers; Seneca, on the other hand, is exploring and commending certain behaviors or ways of thinking to his friend, Lucilius.

I'm certainly no Latin scholar; still less do I know anything about Seneca. So I was pleasantly surprised when I came across the following:

I shall therefore send to you the actual books; and in order that you may not waste time in searching here and there for profitable topics, I shall mark certain passages, so that you can turn at once to those which I approve and admire. Of course, however, the living voice and the intimacy of a common life will help you more than the written word. You must go to the scene of the action, first, because men put more faith in their eyes than in their ears, and second, because the way is long if one follows precepts, but short and helpful, if one follows patterns. Cleanthes could not have been the express image of Zeno, if he had merely heard his lectures; he shared in his life, saw into his hidden purposes, and watched him to see whether he lived according to his own rules. Plato, Aristotle, and the whole throng of sages who were destined to go each his different way, derived more benefit from the character than from the words of Socrates. It was not the class-room of Epicurus, but living together under the same roof, that made great men of Metrodorus, Hermarchus, and Polyaenus. Therefore I summon you, not merely that you may derive benefit, but that you may confer benefit; for we can assist each other greatly. (Seneca, Ep. 6.5–6)

Seneca's view of texts—what they are, what they're good for, and how to use them properly—is particularly interesting to me, given my own interests in media criticism and Christian origins. Seneca is a member of the Roman elite social class (he was Nero's tutor!), highly educated, familiar with the range of philosophical texts produced by and for the Greek and Roman upperclasses, able to live a life of relative leisure even in comparatively difficult times (see Ep. 1.4), and sufficiently resourced to send a barrage of letters to a friend who is physically distant from him. Even so, Seneca is no raw bibliophile; he isn't interested in amassing and reading texts for their own sake (see Ep. 2). Instead, although he exhibits familiarity with texts from outside his favored Stoic tradition (Epicurean, Platonic, etc.), he exhorts Lucilius to confine himself to familiar and more profitable texts. Reading too many texts is akin to knowing too many people, and being a friend to none (Ep. 2.2).

So how does Seneca suppose texts function (or ought to function) in order to maximize their benefit? Texts only work properly, according to the excerpt quoted above, within the context of social relationship. The value to Lucilius of Seneca's Moral Epistles isn't in the reading but in the relationship between the two men established prior to the epistles and evoked, strengthened, and furthered by means of the texts. Similarly, Cleanthes embodied and furthered Stoic philosophy via his relationship with Zeno rather than by reading his texts. The same applies, mutatis mutandis, of Socrates' followers; indeed, famously Socrates didn't even leave behind any textual remains!

And so Seneca says (and this really is quite amazing), "Of course, however, the living voice and the intimacy of a common life will help you more than the written word. You must go to the scene of the action, first, because men put more faith in their eyes than in their ears, and second, because the way is long if one follows precepts, but short and helpful, if one follows patterns." The written text enables Seneca to face and overcome the problem of geographical distance (he is physically removed from his friend, Lucilius). But the text is no substitute for the interpersonal relationship and interaction that is given concrete expression in face-to-face conversation; indeed, the text—when it behaves properly—mimics social interaction. Seneca becomes present to Lucilius via the written text. For this reason, Lucilius read a different text than the one before me; when I read Seneca, there is no extratextual relationship invoked (and evoked) in my act of reading.

Notice that this is a far cry from the standard opposition between "orality" and written texts we find in much biblical scholarship. We're not juxtaposing oral tradition over and against written text. Rather, we're on the lookout for how written texts functioned in a world conditioned by and geared toward the actual social engagement of human beings with one another. Thus the significance of Seneca's allusion to social script of autopsy (eyewitness testimony) when he says men prefer their eyes to their ears. On the surface this may seem to elevate written texts—accessed with the eyes—over spoken words—perceived with the hear. But in fact this is exactly the opposite of Seneca's point! Seneca privileges the concrete experience of knowledge shared through interpersonal relationships (including words spoken between people) over that gained second hand, through the reports of someone else or mediated by means of written reports.

archaia in Ignatius

Ignatius, bishop of Antioch in the early second century CE who was marched to Rome and (presumably) martyred, records an interesting encounter with some of his opponents:

I heard of some people who said, "Unless I find it in the archives, I do not believe it in the gospel. When I told them, "It is written," they replied, "That is the question." But for me the archives are Jesus Christ; the sacred archives are his cross, his death, and his resurrection, and the faith that is granted through him.

ἤκουσά τινων λεγόντων ὅτι Ἐὰν μὴ ἐν τοῖς ἀρχείοις εὕρω, ἐν τῷ εὐαγγελίῳ οὐ πιστεύω· καὶ λέγοντός μου αὐτοῖς ὅτι Γέγραπται, ἀπεκρίθησάν μοι ὅτι Πρόκειται. ἐμοὶ δὲ ἀρχεῖά ἐστιν Ἰησοῦς Χριστός, τὰ ἄθικτα ἀρχεῖα ὁ σταυρὸς αὐτοῦ καὶ ὁ θάνατος καὶ ἡ ἀνάστασις αὐτοῦ καὶ ἡ πίστις ἡ δι ̓ αὐτοῦ· (Ign. Phil. 8.2)

In his chapter on "Early Christian Libraries" (144–2202), Harry Gamble offers the following discussion of the critical word, "archives" [ἀρχεῖα; archeia]:

The sense of this anecdote has been much debated, but what is important for my purposes is the meaning of the term archeion. Its original sense is "governmental house" or "magistrate's office," whence it came to mean "records office" and could signify either the place where records were kept or the records themselves. Most commentators take the word to mean "the original records" and to refer to the Jewish scriptures regarded as "archival records" or "charter documents" of the church. This is surely correct but does not necessarily exhaust the sense of this unique designation of Jewish scripture, for the word alludes to the place where such writings were deposited and available. Since its use by Ignatius's opponents has no clear ulterior motivation, all the more may it imply the existence of an archive or library of the Antiochene church where the Jewish scriptures, among other documents, were kept. (Books and Readers in the Early Church: A History of Early Christian Texts [New Haven and London: Yale University Press, 1995], 152–53)

stenographers in the late-antique church

I enjoyed this paragraph, particularly for the contrast it provides with both the processes and the products of text-production in the church in the fourth and first centuries ce and the relationship between text-production and oral performance:

The availability of scribes trained in stenography had another important result: it made possible the the transcription and publication of homiletical material and so added another dimension to early Christian literature. By early in the third century Origen's public addresses were taken down in shorthand transcriptions and published (Eusebius, H.E. 6.36.1). This practice became widespread, and as a result the ex tempore words of the most gifted preachers of the Greek and Latin church have survived. The extensive homiletical remains of Christian rhetores like John Chrysostom and Augustine suggest the great interest and wide readership that attached to their sermons, though they were not intended for transcription or circulation and for the most part were not published by their authors. (Harry Y. Gamble, Books and Readers in the Early Church: A History of Early Christian Texts [New Haven and London: Yale University Press, 1995], 140)

what constitutes an "edition"?

Toward the end of the third chapter of his monograph, Books and Readers in the Early Church: A History of Early Christian Texts (New Haven and London: Yale University Press, 1995 [YUP's website seems to have deleted the page for this book), Harry Gamble discusses the peculiar publication of Augustine's work, De doctrina christiana [On Christian Instruction]. The completed work takes up four books, but it was apparently originally made public in a two-volume edition. Augustine writes about his decision to bring the original, shorter work to its intended completion:

When I discovered that the books On Christian Instruction were not completed I chose to complete them rather than to leave them as they were and go on to the re-examination of other works. Accordingly I completed the third book. . . . Then I added a new book, and so completed the work in four books. (Retractationes 2.30; cited in Gamble, 136)

How interesting that Augustine can say he "discovered" his work was not complete; he should always have known this since he, apparently, never completed it. (I'm reminded of a certain breed of student who might claim not to have known that his or her research paper had been left undone on their harddrive.) It looks like Augustine released an early, unfinished version of De doctrina into circulation, and only later decided to return to his earlier project and finish it. From this, Gamble offers the following analysis:

The question whether a text of De doctrina in only two books constituted its first edition cannot really be answered. On the one hand, from the start the scope of the work was intended to be larger, so that a text in only two books would always have been incomplete; but, on the other hand, the work had apparently been corrected and given out for circulation. Hence it was not an edition in the modern sense—a complete, definitive text—but functionally it was an edition, for the work, though incomplete, was allowed to circulate and to be copied. This case shows how misleading the term edition can be when applied in the conditions under which texts circulated in antiquity. A text qualified as an edition only when it had been emended and released by the author for copying. (137)

The issues swirling around Augustine's De doctrina and Retractationes 2.30—and Gamble's analyses of those issues—raise interesting questions about the earliest texts of the synoptic gospels (Matthew, Mark, and Luke).¹ The dominant view of the gospels identifies Mark as the earliest written gospel, with Matthew and Luke dependent on Mark. One of the questions gospels scholars regularly raise is how (or why) the church preserved Mark once it had Matthew and Luke. This question is exacerbated by the fate of Q (if Matthew and Luke are independent), which was (apparently) allowed to return to dust.

What value—if any—might there be for thinking of Mark in terms similar to the incomplete, two-volume "edition" of De doctrina, and the other two synoptics as "completions" of the former? On the one hand, given Mark's abrupt beginning in 1.1–13 and—even more dramatically—the sudden ending at 16.8, the gospel of Mark does bear every indication of being an incomplete work that always anticipated "the rest of the story." On the other hand, however, Mark is its own carefully crafted, artistic, sophisticated account of the life and death of Jesus of Nazareth, and if Matthew and Luke originally intended their gospels to displace Mark they clearly failed.

I suspect these types of questions have already been set to Mark, Matthew, and Luke. But has anyone broached these questions from the perspective of book-production and -dissemination in the early Roman empire (and/or in late-Second Temple Judaism)?

---

¹ Of course, De doctrina, the earliest books of which were written c. 397 and was completed c. 426, is over three hundred years later than the gospels. The dynamics of text-production—including its technologies and its cultural value—were certainly not identical in the first and fourth centuries. But according to Gamble, the testimonies of Augustine and Jerome "indicate that the traditional procedure of the first three centuries remained in effect" (132).

the [un]orthodox corruption of scripture

More from Harry Gamble, who refers to a polemical fragment from Little Labyrinth (Eusebius, Ecclesiastical History 5.28.8–19; see Gamble 1995: 122–23). I don't want to reproduce the quote; you can follow the link if you're interested. The point, however, is that Hippolytus (?) is writing against certain named Christian scholars in Rome who have disseminated copies of the scriptures (= the gospels?) in order to support a particular theological point of view. According to Gamble:

The work of each [viz., Theodotus, Asclepiades, Hermophilus, and Apolloniades] was current in many copies, so that copies were easily obtained and compared. It is unlikely that the ready availability of copies was due to purely private, individual copying. Despite its scholastic aspect, this textual work in Rome was not disinterested but stood in the service of exegesis and theological argument, which makes it still more probable that the emended texts were produced in numerous copies, the better to promote their wide use and thus sustain a particular theological viewpoint.¹

I can't help but remember Bart Ehrman's work, particularly in The Orthodox Corruption of Scripture: The Effect of Early Christological Controversies on the Text of the New Testament (London and New York: Oxford University Press, 1993). Ehrman's thesis is that the "corruption" (in its technical, text-critical sense of variation rather than its popular sense of degradation) of scripture wasn't the sole domain of heterodox scribes and theologians; orthodox (or proto-orthodox) tinkerers also affected the readings in the text. As I read Ehrman, however, I couldn't help but think that Ehrman's analyses depended on too little data. That is, Ehrman made his claim for the orthodox corruption of scripture on the basis of individual variant readings and only rarely considered (i) the effect of a given change on the subsequent manuscript tradition or (ii) the effect of a given theological perspective on potentially problematic readings throughout a given manuscript. Of these, the latter is even rarer than the former.

Gamble's discussion, however, makes clear what Ehrman assumes: that changes to individual manuscripts had limited effect upon the tradition as a whole. If a person or a group of people wanted to conscientiously alter the reading of a text and wanted that change to displace an earlier reading, additional steps had to be taken. In the case of the Little Labyrinth that Eusebius cites, the heterodox teachers in Rome were involved not just in corrupting scriptural texts but also in disseminating their corrupted texts. The Little Labyrinth mocks its opponents' folly: "[The readings] of Asclepiades, for example, do not agree with those of Theodotus. And many of these can be obtained, because their disciples have assiduously written the corrections, as they call them, that is the corruptions, of each of them" (Eus. H.E. 5.28.17; my emphasis). But behind the author's scorn for the numerous copies then in circulation and the ammunition these copies provide against the scribes responsible for them, we can sense a certain frustration—even concern—that the flood of corrupted manuscripts might actually affect the Church's reception of the sacred tradition.

Perhaps, given the paucity and selectivity of the data that survives from antiquity, such evidence against the "proto-orthodox corruptors" of scripture is unlikely to have survived. Even so, this is the type of data I would look for in support of Ehrman's thesis. Gamble, who takes up the question directly of the relation between the authority invested in a text, its textual stability, and its preservation, provides a more helpful basis for historical discussion in that he appeals to actual textual evidence. Ehrman, it seems to me, often relies on the hermeneutical potential and theological possibilities of particular variants and their placement within the very interpretive framework for which he's arguing (viz., the orthodox corruption of scripture).

---

¹ Harry Y. Gamble, Books and Readers in the Early Church: A History of Early Christian Texts (New Haven and London: Yale University Press, 1995), 123.

Eusebius, Origen, and text-production in antiquity

Harry Gamble quotes the following from Eusebius's Ecclesiastical History, which provides an interesting discussion of text-production in the early-third (or perhaps early-fourth) century.

As [Origen] dictated there were ready at hand more than seven shorthand writers [tachygraphoi] who relieved each other at fixed intervals, and as many copyists [bibliographoi], as well as young women who were skilled in fine writing [kalligraphein], for all of whom Ambrose provided without stinting the necessary means.¹

In all that I've read about text-production in antiquity, I'd never run across the role of women as scribes. Origen, of course, is unusual in his literary output, the veritable Ben Witherington III of the third century (or perhaps Ben Witherington III is the Origen of the twenty-first century), so we certainly cannot assume his method of text-production is generalizable. But extreme as Origen's process may have been, it is nevertheless an extreme version of ancient text-production, and Origen's peculiarities seem to be quantitative (the volume of text-production) rather than qualitative (the method of text-production).

---

¹ Harry Y. Gamble, Books and Readers in the Early Church: A History of Early Christian Texts (New Haven and London: Yale University Press, 1995), 120.